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Monamy, Peter
English Painter, 1681-1749
English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703 Related Paintings of Monamy, Peter :. | Arrival of George II in England after a visit to Hanover | A two-decker man-o-war,stern quarter view,and a yacht in a quiet estuary | Stern view of the Royal William firing a salute | A fleet coming to anchor | This is the second of Monamy-s personally executed engravings | Related Artists: Abraham jansz.begeynDutch painter and draughtsman , 1637-1697
was a Dutch painter of landscapes and cattle in the manner of Nicolaes Pietersz Berchem. Begeyn's earliest known work is from 1653. In 1655 he joined the painter's guild of Leiden, where he staid until at least 1667. He was then active in Amsterdam and The Hague, before he took his residence in Berlin in 1688. There his works were greatly prized, and, according to Houbraken, he was principal painter to Frederick III, the elector of Brandenburg, afterwards king of Prussia. In many collections in the Netherlands, the pictures of Begeyn are placed amongst those of the most admired masters. His pencilling is light and free, and his colouring very agreeable. Many of his works are landscapes, with views of rivers, ruins, and pieces of architecture, Maurice Denis1870-1943
French
Maurice Denis Locations
French painter, designer, printmaker and theorist. Although born in Normandy, Denis lived throughout his life in Saint-Germain-en-Laye, just west of Paris. He attended the Lycee Condorcet, Paris, where he met many of his future artistic contemporaries, then studied art simultaneously at the Ecole des Beaux-Arts and at the Academie Julian (1888-90). Through fellow student Paul Serusier, in 1888 he learnt of the innovative stylistic discoveries made that summer in Pont-Aven by Paul Gauguin and Emile Bernard. With Serusier and a number of like-minded contemporaries at the Academie Julian Fernand cormonFrench Academic Painter, 1845-1924
French painter. He studied initially in Brussels under Jean-Fran?ois Portaels. In 1863 he returned to Paris, where for three years he was a pupil of Alexandre Cabanel and Eug?ne Fromentin. He made his d?but at the Salon in 1868 and in 1870 received a medal for the Marriage of the Niebelungen (1870; ex-Mus. B.-A., Lisieux, 1970). His painting the Death of King Ravana (1875; Toulouse, Mus. Augustins), taken from the Indian epic poem the Ramayana, was criticized for the choice of an obscure subject but was nevertheless awarded the Prix de Salon in 1875. Soon afterwards Cormon left France for Tunisia. After his return in 1877 he exhibited regularly at the Salon until his death, establishing a reputation as a painter of historical and religious subjects; he also produced some portraits.
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